DISCLAIMER: Welcome, or fuck you, depending. I'm not here to tell you how many calories you can burn roller skating, I'm here to incite and entertain. Take me or leave me.
RollerCon is this week (July 28th-August 1st). If you don’t know what that is, it is exactly what you think: a convention devoted purely to Roller Derby.
I have never really had an interest in going to RollerCon because it is in Las Vegas Nevada. How naïve of me! I don’t like to gamble and I’ve never been to Vegas, so I guess it took a few years to convince me there was actually other stuff to do there, (isn’t it the only thing people talk about: gambling?). This is the first year I really have a desire to go, so maybe next year I’ll make it.
In honor of RollerCon week I thought a little bit about derby wives would be a pertinent topic.
Modern derby seems to have developed an underground feel, and with it- unique and creative personalities. Maybe it is because the skaters are funding a lot of the sport themselves that much of derby has a do-it-yourself feel, but I like to believe it’s more than that. I like to believe roller derby attracts creative people.
One way skaters differentiate themselves is make up. Here’s some photos to give you ideas, and I found some neat tutorials to get you started:
As Larry Smith said in the documentary Rolling Thunder in reference to the Roller Games Organization, I too am disheartened to admit the sport seems to have evolved into “show first, derby second”. Actually, a more accurate statement would be roller derby of today is something like “women empowerment first, derby second”. First of all, let me just make one thing clear. There is nothing wrong with roller derby being an avenue for the women’s movement. But how is operating as an amateur sports league funded by the players and requiring their free labor empowering? If roller derby is a facet of the women’s movement, it should not be one in which women have mid life crises and need to wear lingerie in public. It should be one of strong women operating successful powerful enterprises that dominate both the entertainment and sports arenas, (and look good doing it).
I am no expert; I am only recording what I have witnessed, experienced and what makes sense to me. Therefore, what you read is my opinion alone; consult your own physician or whatever. My philosophy regarding protective pads first and foremost is: if it hurts IT’S NOT RIGHT. The biggest area in which I have experienced this problem personally is wrist guards so I will focus on them primarily.
Wrist Hist(ory): I have broken my left wrist 3 separate times in different locations, and each time due to roller blading. The first time I was 10, the second time I was 13 and the third time I was 18. Every time I was not wearing wrist protection. It took me twice to learn my lesson and by the time I was 18 I had made wearing wrist guards a regular practice and had literally failed to remember to wear them that day. Now I NEVER forget to wear my wrist guards. Not surprisingly, I have some opinions on wrist protection. Number one is obvious; always wear your wrist guards. I have formed some conclusions on what makes a good wrist guard and what makes a bad wrist guard and compiled them here for you.
Roller Derby was cutting edge from the start. The sport was always integrated, paying blacks equally and accepting single mothers, homosexuals and other unconventional lifestyles long before society would. It has always been an exciting ruckus. Roller Derby people are supposed to push the envelope. We’re supposed to be antagonists.
I have compiled a 5 point formula for success that I feel encompasses the vital aspects required to establish a professional, nationally recognized roller derby team that showcases talent, skill and athleticism.
1. Skating ability must always take TOP priority. Athleticism and talent will sell tickets when promotions and marketing fail to.
2. Ensure safety while preserving the integrity of the game. Concentrate on showmanship but abandon fake cat fights and encouraged aggression. Strive to earn the respect of a professional athletic team.
3. Promotions and Marketing. The best way to promote roller derby is not to cling to the dated and failed ways of the past, but to find cool, hip ways for it to be relevant now. Roller derby presently lacks the management, promotions and marketing talent to get the revenue required simply to fund the sport. A staff of non- skating, committed individuals are required in order to organize and run a professional level promotions and marketing campaign. Skaters alone cannot do it.
4. High tech advancements and closer attention to detail, track personas and entertainment. Fans are paying customers. In addition to excellent skaters, roller derby needs to step up its level of entertainment. Visual aids to help the fans understand the game, like digital derby tracks that portray point scoring in real time, or choreographed half time shows to further the total enjoyment of the experience for the audience. $10+ is a lot to pay for amateur sports. A compromise would be good skating in return. At the very least, an entertaining experience.
Check out the Sun State Roller Girls' helmet cam video:
http://www.youtube.com/watch?v=hIMDN5XQwP4
5. Marketing and entertainment are integral components in the development of a local fan base. The fifth element for success is a greater focus on cultivating new and return fans. One reason why roller derby died was because not enough attention was paid to training and developing new talent. In addition to creating solid fans whose commitment to the sport will span decades to come, roller derby needs to recruit and teach young talent.
